Roderick MacKay – The Power of Filmmaking

Posted June 30, 2021 in Alumni Profiles, Wyvern-Corner-Office By Community Relations

In 2020, Mr Roderick MacKay (99-03) debuted his first feature film, The Furnace, as part of the official selection for the 77th Venice Film Festival.

We sat down with Mr MacKay when he came back to the College to speak to students during Arts Week, to find out how he got started on this journey from a ÍÑ¿ã°É graduate to an esteemed film director. Ìý

WhatÌýare some of yourÌýmemoriesÌýfrom your time at ÍÑ¿ã°É?

If I’m honest,ÌýIÌýremember struggling academically in a number of subjects outside ofÌýVisualÌýArts andÌýMediaÌýStudies. IÌýonlyÌýscrapedÌýthrough my tertiary entrance exams to get into Visual Arts School at Curtin University.ÌýÌý

Nonetheless, I thoroughly enjoyed my time at ÍÑ¿ã°É.ÌýWhen I first arrived from South Perth Primary School in Year 8, I remember being aware that I was aboutÌýtoÌýattend an incrediblyÌýprestigiousÌýschool. Quite remarkably, I am still very close with a number of friends that I made as a studentÌýat ÍÑ¿ã°É.ÌýÌý

Was there a particular moment at ÍÑ¿ã°ÉÌýwhenÌýyou discovered your passion for film?

Funnily enough, my desire to be a filmmaker didn’t arrive until shortly after my time at ÍÑ¿ã°É. I was actually one of my year’s top Visual Arts students, so I was quite intent on pursuing that as a career as Media Studies was quite different when I was a student. For one, the filmmaking tools were far less sophisticated and the whole notion of being a filmmaker felt very out of reach, especially growing up in Perth. Where you’re about as far away as possible from screen industry epicentres in the United States or the United Kingdom. Ìý

While I was quite adept visually, I didn’t have the best English grades, so the thought of writing scripts was also quite intimidating. But that began to change when I was lucky enough to haveÌýMrÌýDavidÌýAshtonÌýas my English teacherÌýfor my final years atÌýÍÑ¿ã°É. He reallyÌýhelped me find my voice and boost my confidence as a writer. Now asÌýscreenwriterÌýandÌýfilmÌýdirector, I stillÌýsometimesÌýcontemplate how important a role Mr Ashton played in starting me on this journey.Ìý

Beyond that, it was sometime during universityÌýwhenÌýI realised filmmaking wasÌýthis kind of ‘ultimate’ art form,Ìýharnessing an unparalleled breadthÌýofÌýmediums, skillsets and technologies, all for the shared purpose of telling a story.ÌýÌý

Once that penny drops, and you realise the scope and power of filmmaking, there’s no going back!Ìý

What did you do after leaving ÍÑ¿ã°É?

I completed a Bachelor of ArtsÌýinÌýVisualÌýArts with a few additional film school units and independent research projects.ÌýÌý

Bizarrely, afterÌýI graduated from university in 2007, I pursued an IT start-up,ÌýwhichÌýinvolved aÌýcoupleÌýofÌýformer ÍÑ¿ã°É classmates. The IT start-upÌýwas designed to provideÌýonline turnkey business infrastructure forÌýartists and creative industry practitioners, from a range of disciplines.ÌýThe project actually got quite far, but the 2009 global financial crisis made it impossible to raise investment for a high-risk digital arts platform, so we put the conceptÌýto bed.ÌýÌý

From this,ÌýI learnt a huge amountÌýaboutÌýpitching and raising money, which would go on to serve me wellÌýas aÌýfilmmaker.ÌýI thenÌýspent the rest of my 20s focussed purely on filmmaking. In 2009,ÌýI made my first shortÌýfilm onÌýaÌýshoestring budgetÌýwith a fellowÌýOld Collegian,ÌýDavid StephensÌý(93-03),ÌýwhichÌýdemonstratedÌýwe knew what we were doing and put us on the radar of theÌýWesternÌýAustralia’sÌýscreen agency, Screenwest.ÌýÌý

My next short film was shot in 2013 and received some funding support from Screenwest. Six years later in 2019ÌýI married my wife Tessa, andÌýas a result of a lot of hard work,Ìýstarted shooting my debut feature film,ÌýThe Furnace.ÌýIt was a pretty gruelling six-week shoot on Yamatji Badimaya country in WesternÌýAustralia’s remoteÌýMid-WestÌýregion. Once completed, it was theÌýonly Australian film accepted into the 2020ÌýVeniceÌýFilm FestivalÌý‘official selection’, which Tessa and IÌýmanaged toÌýphysically attend, even during aÌýglobal pandemic. So,Ìýyou could say filmmaking is very much about playing the long game!Ìý

What lessons did you learn from your parents that you feel impacted your career journey?

My parents have always gently encouraged my brother,Ìýsister,Ìýand I to follow our passions, pursue meaningful work and think outside the box. This mantra has led us on some challenging but incredibly fulfilling life journeys.Ìý

From your experience,Ìýhow has COVID-19 impacted the film industry?

It’s hard to know where to begin in summarising just how dramatically COVID-19 has transformed the global screen industry. I would love for audiences to continue to experienceÌýmy filmsÌýinÌýcinemas,ÌýbutÌýthat dreamÌýno longerÌýfeelsÌýsustainableÌýforÌýrelatively low budgetÌýindependent titles such asÌýThe Furnace. The economics of the theatrical release model were alreadyÌýantiquated,Ìýand the industry has been complacent for someÌýtime in the face of a shrinking cinema audience,ÌýincreasinglyÌýdrawn toÌýonlineÌýstreaming.ÌýÌý

COVID-19 greatly amplified and accelerated thoseÌýissues.ÌýLike most filmmakers, I am now setting my mind toward creating content for streaming platforms. The cinema is still the gold standard viewing experience, but I have reached a point where IÌýwouldÌýrather people saw my film in a home cinema, on aÌýcomputer screenÌýor even theirÌýbloodyÌýphones,Ìýversus not seeing it at al!Ìý

What is your best piece of adviceÌýfor a youngÌýmedia studentÌýhopingÌýto get started in theÌýworld of film?

Filmmaking is incredibly difficult and hyper competitive. YouÌýhave to really want it. Also, there isÌýso muchÌýcontent being madeÌýandÌýmuch of it isÌýmereÌýentertainment and escapism, whichÌýis perfectly valid and we need that sometimes. But I think artists are obliged to create meaningful and explorative work that attempts to offer some unique insight or experience to an audience.ÌýÌý

Any subject matterÌýcan be made interesting or boring. What matters isÌýhowÌýyou explore itÌýand bring it to lifeÌýand that all unpacks out of the clarity and specificity of your voice.ÌýSo, I would really encourage any aspiringÌýfilmmaker to delve into the craft of screenwriting as much as the technicalityÌýand philosophiesÌýof filmmaking.ÌýÌý

Most importantly, be bold, honestÌýand authenticÌýand tellÌýtheÌýstoriesÌýthatÌýyou love.ÌýLive life and rememberÌýyou are a student of human observation.ÌýIt’s a hard road, but don’t settle for mediocrity!Ìý

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